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SCHUBERT |
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CONTEMPORARY |
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Cherry Hood Exhibition Now and Then Opening 3 November 2006 6:00pm - 8:00pm
Hood is perhaps best known for her large scale portraits of young children rendered in watercolour on paper and canvas, although it is her confronting portraits of young boys that captured the collective imagination. Imbued with the taut atmosphere of burgeoning adolescence, Hood’s images capture a youthful anxiety and resonate with a gentle tension. Her subject’s trademark penetrating gaze implicates the viewer as voyeur, so that these images become a meditation on beauty, sexuality and innocence. Hood masterfully employs the humble medium of watercolour playing up the subtleties of the material to best suggest the delicacy of her subject matter. Hood masterfully employs the medium of watercolour playing up the subtleties of the material to best suggest the delicacy of her subject matter. In 2004 she collaborated with infamous American writer JT Leroy to illustrate his new book Harold’s End, creating a series of works printed by the Australian Print Workshop in Melbourne that were shown at Deitch Projects in New York.
Working from old photographs collected from locals and sourced from books documenting the history of the area, Hood’s new paintings connect old with new, and are imbued with a nostalgia mediated through a contemporary viewpoint. Hood’s research into the area revealed that famous Australian artist Sydney Long who is best known for his art nouveau allegories with the Australian bush as backdrop was born in Goulburn. The trees that characterised Long’s dramatic scenes are captured in Hood’s new body of work; the artist’s trademark starkly blank white backgrounds are now filled with the distinct and peculiar curves of the manifera and rossi gum trees that populate her farm.
Alison Kubler |
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